INVESTING IN AN ARTWORK.

Anne D'Alton's Artworks, Car illustratiion, illustrtation, motoring artwork, painting, watercolour

Whenever I have an exhibition (as at present) or hold an Open Day in my Studio, one question that is invariably asked is ” are the prices negociable”?   And my answer always, is, YES.     The  Artists amongst you, know, of course, that Artists put a huge amount of time and effort into their artwork but that it is very difficult to quantify in monetary terms, this creative effort.

However, being a pragmatist (and ever optimist…) I realize, that although a work of art may well be worth the figure asked, the buyer, although he or she really wants that artwork, may genuinely not have that asking price available to them, so compromise, within reason,  is a sensible attitude to have towards the sale price.

I feel you will agree that it is better to make a sale and have a happy Client than to make no sale at all.

Some Artists will not agree with me, of that I am certain, but from experience, I have often sent a Client home, delighted with their purchase (and sale

Bug4 (2)

Bugatti in full flight

 price ) 0f MY artwork, and  in fact, such sales have resulted in further sales, simply because I am always open to discuss  the price of my work.     Here in France the term “a debattre” is used to cover this transaction and indeed, debating a price (haggling if you like) is extremely popular and leaves both parties satisfied with the result.

So in future when you see a work you really like, but are a little “shy” of the money asked, please contact the Artist, etc., concerned:  the outcome could well enhance your, and that Artists’ life!.

BRINGING PORTRAITURE TO LIFE.

Anne D'Alton's Artworks, illustrtation, Pencil drawing/

To most people, the mere mention of the word “Portrait” conjures up a heavy oil painting featuring some-one else’s relative, peering gloomily out from a dulled gilded frame!

Nothing could be further from the truth.

Portraits, as with all other forms of artwork, can be executed in a myriad of different materials, on a broad variety of materials and encompassing an even wider spectrum of subjects.

I have, of course, illustrated a number of portraits in oils and also in acrylics, but to my mind, the humble pencil, “lifted” by the judicious use of a little ink and colour, can and will, transform this unpretentious form of portraiture, into something extra special.

To emphasise my point, I have included two recent canine drawings, each done with an ordinary HB pencil on 240 grade paper.   However, as you will notice, I have deliberately made a feature of the eyes, chosing to do them in ink and colour, in order to bring each of the dog’s heads to life.    Plus, in order NOT to “muddy the waters” so to speak, I have not filled in any background detail whatsoever, leaving the head with their bright eyes, free to catch the viewer’s attention.   I hope you enjoy these artworks, and please do hot hesitate to contact me, if and when you have any drawing or painting enquiries.

My studio will be open  from July onwards and you will be more than welcome to see my various artworks on view and to chat about them .  Please contact me, however, beforehand.DalmationAlsation