A simple tip for Acrylic Artists.

Acrylic painting, Advice, Animal illustrations, Anne D'Alton's Artworks, buildings, Landscap[es, Original Artwork., Signed by the Artist

      One of the problems  facing acrylic artists is that this type of paint often dries out too quickly.    Artists who work in acrylics ( as I do, albeit occasionally) know how frustrating it is when you leave a specially mixed colour, for even a short time, to find on your return, that the paint on the palette, is now as hard as a rock,  totally unworkable and, therefore, quite useless……

      Having seen artists try to keep their acrylics moist via the useBreton Longere of cling film,  kitchen foil and assorted covers, which worked for a couple of hours but not much longer, I have a solution that works very well, even in the summer heat of my Breton Studio.   That is, to place the palette, plate, and so forth, on which you have mixed the paints, in a (preferably) clear plastic box that has a tightly fitting lid.    This container will keep the acrylics moist and totally useable for several days.   I use the container for a brand of chocolates (covered in gold foil) that are extremely popular at Christmas, for this purpose, and it has never let me down.   I hope this tip will be of use to you.

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A Slight Change of View.

Advice, Anne D'Alton's Artworks, buildings, illustrtation, ink, ink drawing, Original Artwork., Signed by the Artist

       I always enjoy drawing buildings, but, sometimes, as in this case, the main body of the castle wall, wasn’t particularly interesting, so, I took the liberty of  adding two towers in the background, each with a conical roof.   This gave more depth and dimension to the actual entrance and, it gave the illustration, ink on paper, more for the viewer to focus upon and to digest.

       This type of “improvement” if you like, can be applied to many situations.   You do NOT always have to draw exactly what is in front of you.   If a view looks better without that hump of land in the middle of it, exclude it.   If you feel a tree could be “moved aside” in your work, then move (or remove) it.         Art is the artist’s viewpoint: it is not (unless you wish it to be) a photograph.    Do not be afraid to enhance your work, if you see fit.      But please, please, avoid drawing or painting, what you think a work should depict. This latter particularly applies to landscape artists who have a predeliction for illustrating all hills and mountains as enormous spiked edifices and all water (river, lake, pond, even the sea) as being flat calm……

       Be flexible  yet  imaginative in your  artwork.    You are the judge of the final drawing or painting should look like.   And on that last point, I appeal AGAIN, to all artists to remember to take a break and stand well back from your work, at least every 20 minutes.   Otherwise you will will plough on regardless, often with quite disasterous results……..   Castle Galway

A frog-filled pond. Watercolour on paper.

Anne D'Alton's Artworks, contemporary art, Drawing and Painting Classes, Landscap[es, Original Artwork., painting, Signed by the Artist, watercolour

This little pond has a never ending fascination for our two cats as they stare endlessly into its’ depths for the noisy frogs that live in this shady environment.  Sold.Pond cards

Sometimes a little humour…..Watercolour on paper.

Animal illustrations, Anne D'Alton's Artworks, contemporary art, Original Artwork., painting, Sea-scape., Signed by the Artist

This watercolour features a little cove in Ballycotton, a well known an very picturesque fishing village in West Cork.   I added in the cat for a light touch.   This artwork is now in a Private Collection.catinballycotton.jpg

Still life. Watercolour on paper.

Anne D'Alton's Artworks, contemporary art, Drawing and Painting Classes, Fruit, illustrtation, Original Artwork., painting, Signed by the Artist, Still life, watercolour

This artwork (Artist’s watercolour on rag paper) was built around the bunch of cherries, adding the deep blues of the plate and the copper  browns of the jug for emphasis.  Details and price available on request..blue and white plate

A little view of colour. Watercolour on paper.

Anne D'Alton's Artworks, contemporary art, Fabulous Art Classes & Courses in Brittany, W.France., floral artwork, illustrtation, Original Artwork., painting, Signed by the Artist, watercolour

Even leaves can make a pleasing composition and a likeable artwork.  Commissioned artwork.   Watercolour on paper, size A4.FALING LEAVES

Spud waiting to be fed. Pencil artwork on paper.

Animal illustrations, Anne D'Alton's Artworks, Original Artwork., Pencil drawing/, portrait, Signed by the Artist

I drew this very elderly person just a week before he died.  It is a nice memory for his loving owner.  Charcoal pencil on paper.   This artwork is now in a private collection.Alsation (3).jpg

Line and wash illustration of a pair of hands.

Anne D'Alton's Artworks, Drawing and Painting Classes, illustrtation, ink, Original Artwork., Signed by the Artist

Illustrations can be as simple as this illustration or highly complex.   This is an example artwork during a tutorial, using watercolour and ink for a quick sketch.2 hands

A Portrait of 2 Cats. Watercolour on paper.

Animal illustrations, Anne D'Alton's Artworks, contemporary art, illustrtation, Original Artwork., painting, portrait, Signed by the Artist, watercolour

I am an animal lover, so work featuring animals is always a pleasure.   This watercolour is now in a private collectiion.2 cats (2).jpg

Apple, a versatile fruit. Watercolour on paper.

Acrylic painting, Anne D'Alton's Artworks, contemporary art, Fabulous Art Classes & Courses in Brittany, W.France., Fruit, Original Artwork., painting, Signed by the Artist, Still life, Uncategorized, watercolour

Commissioned by an orchard owner.   Both of us were very pleased with this work.  Now in a Private Collection.apples3