One of the problems facing acrylic artists is that this type of paint often dries out too quickly. Artists who work in acrylics ( as I do, albeit occasionally) know how frustrating it is when you leave a specially mixed colour, for even a short time, to find on your return, that the paint on the palette, is now as hard as a rock, totally unworkable and, therefore, quite useless……
Having seen artists try to keep their acrylics moist via the use of cling film, kitchen foil and assorted covers, which worked for a couple of hours but not much longer, I have a solution that works very well, even in the summer heat of my Breton Studio. That is, to place the palette, plate, and so forth, on which you have mixed the paints, in a (preferably) clear plastic box that has a tightly fitting lid. This container will keep the acrylics moist and totally useable for several days. I use the container for a brand of chocolates (covered in gold foil) that are extremely popular at Christmas, for this purpose, and it has never let me down. I hope this tip will be of use to you.
This little pond has a never ending fascination for our two cats as they stare endlessly into its’ depths for the noisy frogs that live in this shady environment. Sold.
Large original signed landscape. Details and price of this large, original and signed artwork are available on request. It is an autumnal view of a nearby town, with its unique church spire and the group of village houses nestling in the surrounding landscape.
One discipline that many artists lack is that of keeping their materials and equipment in good order, easy to find and disposed of when no longer required. The reason I say this is that recently, I was asked to dispose of the contents of a deceased artist and was quite amazed at the amount of totally unusable “stuff” he had accumulated over the years.
Considering this man was a competant watercolourist who worked in a very limited palette and on only one brand and size of watercolour paper, the huge amount of extraneous art brushes, pencils, pens, crayons, charcoal, acrylics and oils plus assorted thinners, etc., plus canvas and board that he had and would never use, was quite extraordinary. So why not like me, make an inventory of what you actually use and want, bin the rubbish and give what you don’t and won’t need to those who can make good use of it?
A friend’s photograph initiated this artwork. It was executed in acrylics painted on primed board and framed, under glass. Details and price of this original, signed artwork are available on request.
Drawing and painting are therapeutic, creative, educational and above all, hugely enjoyable occupations. My Studio (just 35 mins. from Rennes) is open to visitors all year round and you are welcome to enjoy the 2 hour (1-2-1) highly acclaimed art sessions that I hold (indoors and outdoors) during the year. For further information, please fill in the form below and e-mail it to me. For artists and non-artists, there is residential accommodation too.
Do you want to master the skill of making quick and accurate drawings and paintings? Or do you long to create a truly superb work of art?
Then come an join me in my fully equipped Art Studio in gorgeous Brittany – and make your dream come true…
As a working Artist-Painter, I have many years’ experience ( In Ireland and in France) of teaching people how to produce lst class illustrations and paintings – in all fields and in all aspects of drawing and painting mediums and materials.
Although I specialise in one-to-one Professional, Art Personal Tuition, I also hold a number of challenging Open Days (limited to just 4 persons) which comprise a Professional Art Class in the morning and in the afternoon, the students are given the time to unleash their creativity and to create a wonderful work of art of their own.
For full details and tariffs on these excellent programmes, etc., please contact me at:-
Most artists are very serious about their artwork, but occasionally, just occasionally, a little artistic licence can be taken with a work. Here, after painting this glorious Alpha Romeo, I just had to add in a couple of angelic heralds, serenading
the wonderful sight and sound of this truly fantastic car.
This is a more or less accidental piece that I started on by flicking diluted masking fluid randomly onto a page onto a page. Next, I painted in the background (leaving the masking fluid intact) with washes of bright washes of acrylic paints, to which I then added copious handfuls of salt. When the background was fully dry, I rubbed off the masking fluid with the tips of my fingers, to see what was below.
I saw that the splashes of masking fluid has left daisy like patterns all over the page, so I simply filled in the centres with an
A View of Daisies
appropriate yellow, plus some cadmium orange and voila…..”A View of Daisies”