Irish castles are always dramatic and this is an example (with a little bit of “artistic” licence, thrown in) executed in ink and watercolour – line and wash.
Illustrations can be as simple as this illustration or highly complex. This is an example artwork during a tutorial, using watercolour and ink for a quick sketch.
Another animal painting, watercolour on paper, depicting a red squirrel of which we have many, seated in the garden, eating an acorn. This artwork is now in a private collection.
Black and white – always effective to my mind.
The drama of this flower, short-lived as it is – was well worth painting.
When you are on a tight budget and are purchasing an inexpensive framed canvas, remember these usually have a somewhat porous fabric. If you wish to avoid using a large amount of paint/thinning agents for the finish you require, buy a large carton of Gesso (a type of chalk based bonding agent) and prime the surface with several coats of this quick-drying material. The results will give you a smooth and relatively non-absorbant surface which is ideal to work on and which gives very good results to your artwork. I have to stress, however, that in order for your portrait work to maximise your art skills, only the very best quality canvas will suffice. And even they, may require a coat of this primer to give you the very smooth surface you may require.
Perhaps you work in watercolours? In this instance, a small bottle of artist’s gum arabic or drawing glue is an excellent investment. This permits (a) colours to flow freely and easily under your brush and (b) it does not allow the paper to become saturated and thus unworkable. However, if you are painting with acrylics or gouache, then conventional water is probably still the best material for use as the spreading agent.
Now I come to a somewhat contentious piece of advice. Artist who work in oils, know that they can take a very long time to dry, even when used in conjunction with a drying agent. Water-based oils, though, dry quite quickly, but aren’t all that popular as to date their finish and spreadability and colour range is frankly not the same as their oil counterparts. I have found, that adding a little bit of acrylic to an oil colour (obviously exactly the same colour, hue, tone, etc.,) enables the oil paint to dry very quickly. A word of warning though. This mix has to be applied with a soft brush and brushed very well onto the canvas, so as to avoid brush marks when the colour dries out.
If you have any queries or would like to join my Master Class Art Classes, please e-mail me at:- email@example.com or fill in the form on this site for a quick response.
Thank you for reading this, and I hope it will be useful to you.
Drawing and painting are therapeutic, creative, educational and above all, hugely enjoyable occupations. My Studio (just 35 mins. from Rennes) is open to visitors all year round and you are welcome to enjoy the 2 hour (1-2-1) highly acclaimed art sessions that I hold (indoors and outdoors) during the year. For further information, please fill in the form below and e-mail it to me. For artists and non-artists, there is residential accommodation too.
Do you want to master the skill of making quick and accurate drawings and paintings? Or do you long to create a truly superb work of art?
Then come an join me in my fully equipped Art Studio in gorgeous Brittany – and make your dream come true…
As a working Artist-Painter, I have many years’ experience ( In Ireland and in France) of teaching people how to produce lst class illustrations and paintings – in all fields and in all aspects of drawing and painting mediums and materials.
Although I specialise in one-to-one Professional, Art Personal Tuition, I also hold a number of challenging Open Days (limited to just 4 persons) which comprise a Professional Art Class in the morning and in the afternoon, the students are given the time to unleash their creativity and to create a wonderful work of art of their own.
For full details and tariffs on these excellent programmes, etc., please contact me at:-
Whenever you see an Artist at work, you will note how wrapped up he or she is, in their work. I think this is because the very act of drawing or painting is hugely theraputic and it can enable you to pour out your soul onto a piece of paper, board or canvas.
The demands of creating an artwork are both intensive and satisfactory ‘though the Artist may have to dig very deep in order to release their creativity and produce an artwork that is pleasing to them and to the viewer.
Drawing and painting are personal – very noticeable when one views the pencil, etc., choice and the colour palette of individual artists. Outgoing people tend to use lots of dramatic shading in their illustrations and equally lots of yellow, orange, rust and red in their paintings. More reserved personalities tend to draw simple outline sketches and go for muted greens, soft blue/greys and brown colours.
Artists tend to enjoy themselves when working and this in itself is a truly healing action. Of course, we throw away work that doesn’t please us , but that actually increases the feeling of well-being, when we produce an artwork with which we are truly satisfied.
An artwork can be as simple or as complex as you require it to be, and if you lose yourself in its’ production, then the healing magic of Art has done you a great favour.