Drawing and painting – a personal invitation to you. Watercolour on paper.

Anne D'Alton's Artworks, buildings, Car illustratiion, cartoon, contemporary art, Drawing and Painting Classes, illustrtation, ink, ink drawing, Landscap[es, Line and wash, motoring artwork, Nude, oil painting, painting, pencil and crayon, Pencil drawing/, portrait, Still life

Drawing and painting are therapeutic, creative, educational  and above all, hugely enjoyable occupations.   My Studio (just 35 mins. from Rennes) is open to visitors all year round and you are welcome to enjoy the 2 hour (1-2-1) highly acclaimed  art sessions that I hold (indoors and outdoors) during the year.   For further information, please fill in the form below and e-mail it to me.    For artists and non-artists, there is residential accommodation too.

 

 

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INVESTING IN AN ARTWORK.

Anne D'Alton's Artworks, Car illustratiion, illustrtation, motoring artwork, painting, watercolour

Whenever I have an exhibition (as at present) or hold an Open Day in my Studio, one question that is invariably asked is ” are the prices negociable”?   And my answer always, is, YES.     The  Artists amongst you, know, of course, that Artists put a huge amount of time and effort into their artwork but that it is very difficult to quantify in monetary terms, this creative effort.

However, being a pragmatist (and ever optimist…) I realize, that although a work of art may well be worth the figure asked, the buyer, although he or she really wants that artwork, may genuinely not have that asking price available to them, so compromise, within reason,  is a sensible attitude to have towards the sale price.

I feel you will agree that it is better to make a sale and have a happy Client than to make no sale at all.

Some Artists will not agree with me, of that I am certain, but from experience, I have often sent a Client home, delighted with their purchase (and sale

Bug4 (2)

Bugatti in full flight

 price ) 0f MY artwork, and  in fact, such sales have resulted in further sales, simply because I am always open to discuss  the price of my work.     Here in France the term “a debattre” is used to cover this transaction and indeed, debating a price (haggling if you like) is extremely popular and leaves both parties satisfied with the result.

So in future when you see a work you really like, but are a little “shy” of the money asked, please contact the Artist, etc., concerned:  the outcome could well enhance your, and that Artists’ life!.

ENJOYING WHAT YOU DO – TO THE FULL.

Anne D'Alton's Artworks, Car illustratiion, painting, watercolour

You may wonder why I am so enthralled by things mechanical?   Well, at the age of six, my father decided I was ready to help him start his elderly car – he yanked on the starting handle and my job was to push down on the accelerator when the engine caught………

Apart from this was the fact that from the age of three, my father brought me to every conceivable motor sport event – bikes, cars, sidecars – that was available in the Dublin area.  His friends were all petrol heads too, so without even realizing it, my course and involvement with noisy, smelly and wonderful machinery was set in stone.

I had started drawing (at my mother’s behest) at the age of three, so as a teenager, I was involved in illustrating cars and…..purchasing, renovating and re-selling 2-wheeled machines.   By l7 I was driving my father’s Ford Anglia and riding my first motorbike – the inimitable and unique”nifty fifty” – the Honda 50cc.   My parents were puzzled, but my boss at the time, thought I wasn’t quite ladylike – arriving into the office in black leathers…….

At this point in my life, I can indulge my love for interesting cars by drawing and painting and occasionally driving them!   What a life!!!

The illustration below is a watercolour on paper, currently on exhibition here in Brittany, of the brain-child of the late Carrol Shelby – the fabulous A.C.Cobra.   AC COBRA).jpg

 

ARTWORK WITH A LITTLE DIFFERENCE.

Anne D'Alton's Artworks, illustrtation, motoring artwork

Most artists are very serious about their artwork, but occasionally, just occasionally, a little artistic licence can be taken with a work.   Here, after painting this glorious Alpha Romeo, I just had to add in a couple of angelic heralds, serenading AlphaRomeo

the wonderful sight and sound of this truly fantastic car.

GOOD DRAUGHSTSMANSHIP.

Anne D'Alton's Artworks, illustrtation, Line and wash, motoring artwork

For artists (including myself) who enjoy technical or semi-technical artwork and illustration, line and wash (ink and watercolour) is a very pleasant and rewarding method of creating such artworks.Rage colour

ART IS FOR ENJOYMENT.

Anne D'Alton's Artworks, illustrtation, ink drawing, motoring artwork

When you paint a subject you understand, it tends to look good.   And I like the results of this watercolour, featuring the wonderful Bugatti 35B, shown here, cornering hard at La Sarthe corner at Le Mans.

Bugatti in full flight

Bugatti 35B in full flight

THE LADY IN BLACK.

Anne D'Alton's Artworks, illustrtation, motoring artwork

This is an original, but immaculate, 1952, Jaguar XK 140.   And this lady, comes in B L A C K.

.    As a background fitting to the elegance of this wonderful classic vehicle, I have painted in the famous Mont. St. Michel, one of Brittany’s most iconic landmarks.

   The actual size of this motoring artwork is 42cm x 30cm.

The lady in Black

The lady in Black

ART WORK IN HIGH-SPEED ACTIION

Anne D'Alton's Artworks, motoring artwork, painting

Bearing in mind that not only do I enjoy driving rally cars, but also love drawing and painting them, this commission has been a pleasure to create.

The Client’s brief was simple, just paint my car, in action!

The car, in this instance is a Ford Escort Mk 2.  and I have show it, with the driver and co-driver, against a rural style background, going over a muddy section, at high speed.  This action is taking place in Ireland.

A MATTER OF MATERIALS.

Anne D'Alton's Artworks, illustrtation, motoring artwork, painting

.   Gouache,  I rarely use as it dries out very quickly in this warm climate and I am not enamoured with the rather chalky effect it produces.   However, it is in the line of an artist’s work to experiment and in this case, I used this medium, on grained paper, and am quite happy with the result.

The work in question is a painting of Aston Martin’s glorious DB3S, circa l955, in full song on a circuit.  For additional interest, however, I added in the Shell and the Castrol banner of that particular period.

Sight, sound and smell of yesteryear.

Sight, sound and smell of yesteryear.

LIGHT UP YOUR ARTWORK.

Anne D'Alton's Artworks, buildings, illustrtation, ink drawing

Adding touches of yellow, or soft orange hues, or letting the colour of the paper

Through the archway.

Through the archway.

or under surface come through, makes for a light filled artwork.