LIGHT UP YOUR ARTWORK.

Anne D'Alton's Artworks, buildings, illustrtation, ink drawing

Adding touches of yellow, or soft orange hues, or letting the colour of the paper

Through the archway.

Through the archway.

or under surface come through, makes for a light filled artwork.

THE ARTIST AND THEIR PORTFOLIO

Anne D'Alton's Artworks, illustrtation, portrait, watercolour

It is useful to have a photographic record of the works of art you have for sale.   These can be A4 size, printed in colour on good quality photographic paper and placed into  clear plastic folders, with the artwork  visible on one side of the folder and details and the price of the work, on the other side.   Remember to have a copyright stamp on all your photographed artwork and that all the works bear your signature.

Keep a  notepad to hand for commission, etc., queries and contact numbers.    And, remember  to respond to these enquiries, Sometimes the most discreet queries come from the most important clients.

THE ART OF THE PEN

Anne D'Alton's Artworks, illustrtation, ink drawing, Line and wash, Nude

Usually, as in this drawing of a nude made on primed board, I work in black ink, but occasionally, I use sepia coloured ink pens – particularly in figurative illustrations.   It takes time to work in pen so give yourself time.   This drawing is available.

Young woman seated.

Young woman seated.

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BRAVO TO BLACK AND WHITE.

Anne D'Alton's Artworks, illustrtation, motoring artwork, oil painting, painting, portrait

Our lives to-day are totally dominated by colour, usually 3D and in very High Definitation.

In this motoring artwork, I have taken a step backwards if you like, and re-produced one of my own motoring artworks (the original oil painting is in full colour) in black and white and honestly, I am astounded at the result.  .   And, here, I think, that feeling of a more gentle era, is so ably demonstrated by the lack of harshness both in the portrait of the Racing Driver – Eric Comas, the French F1 and Rally champion and (still very desireable – perfect fit for me…the beautiful  iconic Renault Alpine A110,

Dream team

Dream team

THE DRAMATIC IMPACT OF PAINTING IN OILS

Anne D'Alton's Artworks, illustrtation, ink drawing, motoring artwork, oil painting, painting, portrait

As a demonstration of the dramatic use of oil paint, I have demonstrated here, one of my artworks, a portrait of the late (and very great) Graham Hill  F1 and World Champion Motorsport Racing Driver.

Graham Hill F1 and World Champion Motor racing Driver

Graham Hill F1 and World Champion Motor racing Driver

This is not a large work but the use of oil paints in this instance, make, I feel, a very imposing artwork.

WATER COLOURS AREN’T JUST FOR WIMPS….

Anne D'Alton's Artworks, Car illustratiion, illustrtation, motoring artwork, painting, watercolour

For some strange reason, that is, until the advent of Turner, watercolours were considered as a “female” past-time

In this Motoring Artwork, depicting a very dramatic car – Subaru Impreza WRC – I have been as faithful as possible to the imposing blue of the paintwork of this vehicle.   And, it is a WATERCOLOUR.

Ver 0.30N.

ARTISTIC BOUNDARIES CAN BE STRETCHED.

Anne D'Alton's Artworks, canvas, charcoal, illustrtation, oil painting, painting, portrait

In this portrait of the fantastic British Actor, John Hurt,  instead of the conventional oil portrait, this painting shows only part of the face in colour and the rest in cartoon form.    The work has been illustrated using oil paints and charcoal on stretched canvas.

Oil

Oil “portrait ” of Actor, John Hurt.